This has been a fun month for comedy, with me attending the Derby Comedy Festival and seeing some very enjoyable contest heats in Leek and Leicester, plus the usual club nights. In fact it made it tricky to narrow down who has impressed me the most. I could quite easily have included both Kev’s Komedy Kitchen and Rob Kemp’s The Elvis Dead as they are brilliant shows.
These are the comedians who have impressed me the most:
This was from the Leek heat of English Comedian of the Year.
From the night:
I’d not seen Davies prior to last night, but he’d been tipped as one of the men to beat, so I was very interested in seeing how he made out. He began by working the room, pointing out the oddities of the night and effortlessly working in callbacks to Radu’s set and a shout out that had been received. This was very much of the moment and the audience really went with it. This was then followed by material which Davies delivered fast with a powerful voice. He built up bags of momentum, which combined with standout material and a strong presence saw Davies through to the next round as he narrowly took first place. This was a cracking set.
Another one from the Leek heat of English Comedian of the Year:
I was very pleased to see Rowe on the bill. He’s got a career in comedy ahead of him, but as he’s from the other side of the country to me, I don’t tend to see much of him. Last night he treated the room to a polished set and a sharp delivery. His voice found the perfect pitch when commenting about his jacket and his material flowed very well indeed. Out of all of the contestants he felt the most like a pro act cutting down a longer set to fit the contests’ odd seven minute time slot. It was no surprise to see him go through and he was only one vote behind Davies.
I saw Isac at the English Comedian of the Year, which featured a very strong line up.
From the night:
Radu is a man who always has an amused look in his eyes, almost as if he can see the funny in everything that he sees and this is reflected in his strong writing and stagecraft. Last night he had a slower start than I was expecting, as the room seemed a little bit unsure of him for the first 40 seconds or so. However, he quickly won them round with some very good material, a lot of which I’d not heard before. I’ve seen Radu perform a few times and I was expecting to see a fair bit of the routines that won him the Funhouse Champion of Champions award last year, so it was much to his credit that he performed a largely different set to that. This was a performance that went down very well and Radu finished a very strong 3rd, going through to the semi finals.
This was a set the length of an Edinburgh preview, but rather than going to Edinburgh Quinne is filming a dvd, which is probably a better course of action.
From the night:
This was an hour that flew by. Sometimes an hour long show feels like an hour and occasionally it can feel like more, but this never came close to outstaying its welcome and I don’t think anyone would have objected if there had been more. It was extremely funny and the nice warm feeling that a great show imparts stayed with me all of the way home. I wasn’t the only one who enjoyed it, the rest of the audience seemed to feel the same way and it isn’t often that you see someone put a £20 note in a bucket collection. This is a cracking show.
I saw Atta at a rowdy bank holiday Sunday gig, where it had felt like touch and go whether the room was even playable.
From the night:
After the intermission Atta closed the show. Initially the room were slow to settle down, but within two minutes of Vince demonstrating his gift with the beatbox, they were his. Paradoxically for such an audio based act, a lot of the best laughs come from Atta’s facial expressions whilst performing. The way he looks when doing resting bitch face is almost worth the ticket price alone. In fact it was whilst he was doing this routine that he received a comedic gift. One chap, totally ignoring the notice that Helen had placed on the door next to the stage, blithely wandered in and foolishly asked Vince who the fuck he was, to which quick as a flash, he replied, ‘the man with the microphone, whilst you’re the guy with the……’ at which point he hit the loop button, which played, ‘resting bitch face’. This was cracking timing and it was a stand out moment that went down very well. For the finale Atta may have been taking a risk in getting three drunken audience members up on stage and I’ll confess that it was a bit unusual watching one volunteer licking the bald head of another. However, this worked out very well in the end, with everyone playing along nicely. This was a good set and one that I think everyone enjoyed a lot. Atta is a unique act, but also a very talented one.
Andy Askins, Danny Clives, Joe Bowley, Liam Jeavons, Mat Taylor, Tom King,