NCF – Mecca Bingo, Sheffield – Tony Cowards, Vikki Stone and Barry Dodds (MC)

Tonight I was up in Sheffield for the first comedy night held at Mecca bingo. The Mecca in Mansfield is located on a trading estate with loads of car parking, so I was rather hoping for the same thing. However, this was in the city centre and parking was next door in a NCP car park and I’m thankful that Mecca had come to an arrangement with them to offer free parking, as otherwise it would have cost everyone £10. My ticket to the show only cost a fiver and there is something wrong in life if you can see top comedians perform for half the price it would cost to park.

The venue itself was what you’d expect for a bingo parlour – the room was the size of an aircraft hanger. The ceiling was really high up and the room was huge, so building any kind of atmosphere was going to require a lot of hard work. The audience was younger than I was expecting, with a 70/30 female male gender split. The biggest issue with the audience was that they weren’t really there for the comedy. They’d gone out for a night of bingo and basically someone had turned their parlour into a comedy club and so their investment in the night wavered dramatically. As they weren’t regular comedy goers, despite Barry explaining the rules, people showed a distressing tendency to chat and in that room, it didn’t half echo when someone at the back spoke. Also, people were more than happy to get up and wander off to the loo or outside partway through sets and one bloke even had the disgraceful manners to get up and walk right in front of the stage and stand and queue at the bar, ready for when it reopened. This was a first time gig here, so hopefully as the crowd become more comedy savvy this will improve.

Barry Dodds (MC)

Barry put a lot of hard work into building atmosphere and making tonight function. He began by getting the room cheering, which built up some energy and almost forged a collective out of the individual tables. He then explained how the night would work, doing the rules, before finding out who was present. Dodds spoke to a few people, using his local knowledge to good effect and he had a lot of fun with a chap who had travelled from Cheshire to see his partner, even getting him to go down on one knee and pretend to pop the question to her. Barry has bags of charm and this helped him in building a rapport with folk. After the intermission he went with more material and this went down especially well with the audience, particularly the routine about becoming an uncle. This was good compering in a venue that was unfamiliar with comedy.

For anyone who isn’t aware, Dodds is one half of the Parapod, the best podcast I’ve ever heard. If you’ve not listened to it, then I’d recommend you do so. It’s so good they even have a film coming out:

Tony Cowards

Cowards does intelligent and clean one-liners, with the odd darker joke thrown in and he will deliver his puns in strings, almost like a boxer with combination punches. These are strong jokes, with blood groups being my personal favourite. He varied the pace a bit, slowing it to conversational for the set ups and then increasing it when he hit the punchline and toppers. I did wonder if he might have been better off keeping the pace fast, as he may have built more momentum, but I don’t think it would have made a huge difference, as he took a bullet by going on first. The audience partly listened and laughed a fair bit, but what I’ve seen get a 9 or a 10 on other nights was only getting 6s or 7s and this was due to a combination of people talking and just not feeling that involved in there being a show on. This was bad luck for Tony and I think that this was simply the result being the first ‘turn’ as I’m sure most of the audience would have described him, of the night.

Vikki Stone

Stone gave the room an opening routine based around her footwear and this went down well, before singing the first of 4 songs, which she accompanied on keyboard. This wasn’t a bad song and I enjoyed the callback to her earlier material. That song revolved around her unrequited love of a celebrity and the second song was basically a variation on this, being another song about her unrequited love for a different celebrity. These were well written and sang very well, but I was glad when the 3rd and 4th songs were totally different. Stone was helped a bit by the demographic of the audience being in her favour, but the biggest boost she had was that the audience had settled down into the night during the intermission and the balance of the room was now with the people who wanted to listen and be entertained. Stone is a talented musical comedian, but didn’t really do it for me. Not through any lack of ability, she has plenty of that, but simply because musical comedy really isn’t my cup of tea; the audience were happy with her.


The Saracen’s Head – Stephen Grant, Adam Riley, Edd Hedges and Steve Royle

Tonight I was at the Funhouse gig in Southwell, which owing to the Admiral Rodney being refurbished, had moved 200 yards up the road to the Saracen’s Head. This is a grand old hotel with a touch of class to it. The comedy was in a big room, which lacked the intimacy of the Admiral Rodney as the audience were sat in rows, rather than arrayed around the stage. In common with the Adm Rodney, though, was the lack of a signal on people’s phones. Mike had a fair bit of fun with a birthday group that were there for the first time. It’s not often you come across a PE teacher who claims that his speciality is golf and Spiky Mike received applause for a swiftly ad libbed line when he caught him talking just before he brought on our opening act.

Stephen Grant

Stephen Grant is an act that I was especially interested in seeing. However, to begin with, I thought that he had misjudged the demographic of the audience, as his opening joke about Mansplaining, whilst a totally solid gag, went completely over the heads of most of the room. He easily bounced back from it and then gave the room a set that was perhaps 60% room work and 40% material. This did initially feel a little bit like a continuation of Mike’s compering, but Grant took it in a different direction and subtly swung the interactions in the direction of his chosen topic: marriage and relationships. Everyone was happy to chat with him and he held the room easily, picking up a lot of laughter. There were a few challenges to overcome, such as a lady giving a plausible lie about the number of times she had been married, only to pull the rug from under Grant’s feet when he began to weave something out of it – he rolled with this effortlessly – and then there was a chap who had business in education. The specifics of this took a bit of nailing down and it did feel a bit of a long road that would end in a comedy cul de sac, but much to his credit, Grant managed to make a lot out of it and my fears of a dead end were quite unfounded. The room work was done so well that when Stephen moved into material it felt like a natural continuation and there was no jarring change of direction. The delivery was very fast and there were a surprisingly high number of fucks contained within it. This was a very strong set and I’d love to see Grant compering a room as I can see that he’d be superb at it.

Adam Riley

I last saw Riley a year and a bit ago at a tough gig and I’d liked what I saw then, so when he came to the stage I was curious as to how he’d improved. He has a dry voice and a slow delivery, with some very well timed pauses and this works well with the slightly cantankerous stage persona he adopts. He scored points with me by having listened closely to Spiky Mike and Stephen Grant and so he was able to address audience members by name – this had the effect of making what he was saying feel all the more personal to the audience. I’m not a huge fan of pull back and reveals, but Riley had written his opening jokes skilfully enough that they worked very well and it was lovely seeing how dark he could go with exposure. The line about helping his wife’s addiction was absolutely smashing, as was the one about people not indicating, although I was surprised that he didn’t take it a bit more specific and go with BMW drivers not indicating. Ginger Bond was another strong routine, but probably didn’t really need him to ask the audience for their suggestions for the next Bond, because whilst it set the routine up, I think it possibly adversely affected the pacing, but I’d like to see it again, as it might have just been the audience tonight where this occurred. This was a very good set that I thoroughly enjoyed and Riley is definitely going in the right direction with his comedy.

Edd Hedges

There are two ways to pronounce Southwell. South-Well, which is the one that the inhabitants prefer, or Suvvhull, which is the way that a lot of people in the surrounding areas pronounce it. One of these pronunciations tends to annoy the inhabitants of Southwell and I think you can guess which one Hedges was unfortunate to go for with almost his opening line. This led to a good proportion of the room correcting him and more seriously, it seemed to put him on the back foot. Hedges is a country boy and this featured in his early material, but in referencing inbreeding and extra fingers (odd choice when a lot of his later material was about his dad having fewer fingers and less would have made his point just as well and tied in better) he wasn’t treading any new ground. The same could be said when he talked about his dad being a man’s man, whilst he himself isn’t a manly man – this scenario has been pretty much done to death and I’d be surprised if even the casual comedy goers haven’t seen a few routines based on it. The routine about the Australian OAP with the Cornetto was original, but sadly it would have benefited from a bigger ending and the end result was that it felt quite pedestrian. Hostel and Barclays weren’t bad, but like a lot of Hedges’ material they seemed more like an anecdote than first class material. On the plus side, Hedges got some laughs, he didn’t die, he was an amiable presence on stage, but he just didn’t seem to really cut the mustard tonight.

Steve Royle

Royle is a very talented comedian and he hit the ground running with the room taking an instant liking to him. He had a musical opening, which led into him juggling and then into the jokes. Royle is a dynamic act and like Gary Delaney he has the endearing habit of snorting when something has tickled him. He mixed the jokes up with some very good room work that tied it all together. In his delivery he would repeat a good proportion of lines to add emphasis to what he was saying and he did a similar thing with a few of the early punchlines, stooping down to patiently explain the joke to someone sat near the front. This gave him a second bite at the cherry with these jokes, but I think he was wise to tap out after doing it three times. I enjoyed seeing his skill in working in four or five punchlines to the upholstery gag. To close, Royle did a big and spectacular routine involving music and props and this went down an absolute storm with the audience. Whilst I admire Royle’s ability and talent he’s not really for me, but I was probably the only person who felt this way. Everyone else was massively invested in it and having a whale of a time. Royle definitely ended the evening in dramatic style.

Ashby: Angela Barnes, Richard Massara, Pierre Hollins and Patrick Monahan

Tonight I was in the Lyric Rooms in Ashby for the Funhouse Comedy night. This was a sold out show and having so many comedy savvy audience members present is one of the things that makes this such a nice gig. Initially Mike found it tricky to find someone to speak to whom he’d not spoken to before, but dropped in lucky when he asked one chap what he did for a living. Answering ‘that would be telling’ is probably the worst move anyone can make when hoping to either avoid the spotlight or when their job requires explanation. This fellow was a porter at one of the Oxford Colleges dealing with securityn and such, something which a few years ago might have resulted in a joke about Morse and murders, but which isn’t really something to try to avoid admitting to as an occupation. There was a beautiful moment when in the darkness, Mike saw someone stood at the end of the room and started to speak to them, asking if they had just arrived and did they need a chair, only to realise a split second later when she moved into the light that it was our opening act, Angela Barnes.

Angela Barnes

Tonight, Barnes gave the people of Ashby a very strong bonus length opening set. The material, amongst other things, concerned Netflix, drugs, getting older, bucket lists, dating and shaving, with her moving smoothly between topics. The particular angle with which she dealt with these things should have made her set of more interest to the ladies in the room, but Barnes delivered it in such a way that everyone was fully engrossed in her performance. Her voice was loud and clear and her delivery was animated, which drew everyone in. There was a huge laugh for biscuits in particular and a lot of laughter and applause throughout her set. As much as I liked her material, my enjoyment was a tad diluted by the fact that bucket/fuck it lists aren’t that novel and the odds and sods aisle in Lidl has been well mined by other comedians and beyond that, I’ve heard Barnes on Radio 4 quite a bit and so some of her stronger jokes didn’t hit me with as much force as they did the rest of the audience. However, apart from this minor quibble I thoroughly enjoyed her set. Barnes’ performance was great and everyone, myself included, had a lovely time watching her.

Richard Massara

Considering how tricky it was for Massara to get to and from this gig he is showing the sort of commitment that will take him far. This is matched by his ability, so I’ll be very interested in seeing where he is in a year or so. Tonight he came onto the stage and opened with a strong joke and never really looked back. The honeybee was wonderfully drawn out for long enough for the big reveal to get a superb response and this gave him his first of three or four bouts of applause. The material on insomnia was especially good and as well as getting a lot of laughter, I’m sure I saw a few people poking each other in recognition of what he was saying. The mugging was well acted out and this helped to sell it. With his winning smile and confident stage presence Massara gave the room a cracking performance.

Pierre Hollins

By coincidence I’d only seen Hollins last night in Sheffield and so as you’d expect this was the same set, consisting of twenty minutes or so of his best material. One difference between last night and tonight was that perhaps owing to the more intimate nature of this gig, the audience being more up for it, the energy levels in the room, or more likely a combination of all three, Hollins had a better gig in Ashby. Of his material, age went down a treat, cancer was great and his line about the weather was superb, netting him a well deserved applause break. I’m still not too convinced about the pacing on the better than routine, because opening the question up to the audience slows things down a touch. Last night I was very impressed by how exuberant Hollins’ delivery was and I was just as struck by it tonight. This was a really good set that was possibly longer than usual for this slot to give Pat more time to get to Ashby from the double up with Lichfield. The end result was that it felt like we had had three headline spots in addition to the up and coming Massara, which was no bad feeling to have.

Pat Monahan

I’ve seen Pat Monahan a lot of times and I’ve loved every performance as they are all so different. However, no matter how many times I’ve seen him, I still get a thrill of anticipation when he steps onto the stage, as I know what is coming and can enjoy the looks on the faces of people who are new to him. This man is a born performer and with his memory for faces and his ability to ad lib lines and routines on the spot, his room work is always tremendous. There is a lot of joy in just sitting back and watching Pat getting sidetracked by something or someone that has caught his eye. Tonight he noticed a lady trying to discreetly take his photo and in a wonderful moment he just paused the show and told her to take a proper one, getting Ben a young boxer sat near the front to come up and pose with him. This was followed by him riffing with Ken being a club DJ and luring people into liaisons through his use of a whistle. This was all cracking stuff and everyone felt involved because it was obvious that this performance wasn’t being phoned in, it was being laid on especially for them and it was very much of the here and now. Similarly, Pat built an entire segment around a lady he noticed whom he spotted checking her iWatch – his ability to spot opportunities and to think on his feet is amazing. This was a magnificent set that had a real feel good factor to it.

The Leadmill – Danny Sutcliffe, Allyson June Smith, Pierre Hollins and Steve N Allen (MC)

Tonight I was in Sheffield at The Leadmill for a gig that wasn’t really on my radar until Red Redmond dropped me a line and made it so. Beyond a quick visit to their site to book a ticket and hearing that the seats are hard and uncomfortable (sadly true), I had no real idea of what to expect. I was very pleasantly surprised. The room is huge, with a big stage and there were well over 100 people present, mostly students or young enough to pass for them and very well behaved, too. I had been hoping to see Red, or Scarlett hosting the night, but instead we had Steve N Allen on compering duties.

Steve N Allen (MC)

Although you wouldn’t think it to hear him speak, the well dressed Allen hails from my home town of Mansfield. However, in place of the usual Northern accent, he has a cultured voice and crystal clear diction. This stood him in good stead when he was chatting to the crowd in the first section. I really appreciated him asking people for their name and an interesting fact about themselves – this is a definite cut above asking people what they do and where they live. Allen’s examples of his own interesting facts were good, even though there was an element of pull back and reveal in his answers. I enjoyed his chat with the bodybuilder sat at the front and his line about 140 being a nice distance was especially pleasing. For his second and third stints, Allen used more material, and this worked well, with Weinstein being a pretty up to date reference. Allen kept his compering tight during all three segments and this certainly helped the night finish earlier than many midweek shows. This was good compering that helped the show without threatening to dominate it.

Danny Sutcliffe

I last saw Sutcliffe not too far from the Leadmill, at the Lescar and then I was pleased by his originality. However, tonight, I thought that whilst you perhaps couldn’t guess the exact punchline, if you had a stab at the direction he was heading in, then you were usually right. There were some good lines, like retired, a great running joke and some lovely callbacks. Structurally this was a fine set and Sutcliffe certainly looks interesting visually, with his bushy beard and big hair, but unfortunately his material didn’t really do it for me this time.

Allyson June Smith

We had a change of pace after the intermission with Allyson June Smith, who opened by informing the audience that she was Canadian. This was a shrewd move as it stopped people playing guess the accent and it led into some strong material. Her reaction to having her bag snatched was splendid and well acted out – you could really picture it happening. Smith’s delivery was pretty physical and she was never still for a moment, all of which added to what was a warm and endearing performance. I could have done without the inclusion of ‘still got it’ and ‘tell you a bit more about myself’ as both are overused, but this aside, there were a lot of very nice lines in this set. The routines about names (good room work to tie it in), horror films and the stalker were all well thought out. I was surprised that Kevin didn’t feature in the names routine, as that would have teed it up for a callback later, but never mind. The singing wasn’t really my cup of tea, but that aside, this was a performance that I thoroughly enjoyed.

Pierre Hollins

Closing was Hollins, who came to the stage carrying a guitar. He began with some good local references that quickly brought the room onside. Hollins has a deceptively flamboyant delivery and was a lot more bouncy and cheerful than you’d have expected – I really liked his style. The material was good, too, with cancer being solid and Muslim weather a real beauty. Allyson June Smith had done material on marijuana and this could have hurt Hollins’ routine about it, but as they both took it in different directions the law of diminishing returns did not come into play. There was a lovely throwaway line of ‘look it up’. The better than routine was fun, but I felt that it sat a bit awkwardly with the rest of the set as it really slowed the pace down. To close, Hollins played his guitar, using it to frame short routines and this gave a nicely definitive ending to what had been a good performance.

March – acts that have impressed me the most

This has been an absolutely superb month for comedy. I’ve seen fifty or so acts and the quality has been amazing. Putting together the list of who has impressed me the most this month has been fiendishly difficult. As always, acts who I have included in recent months are time barred for a while.

The highlight of the month was undoubtedly seeing Andrew Bird on Tuesday and then Scott Bennett on the Wednesday. Both are at the top of their game and both took the roof off. Between them, they gave me a real buzz of enjoyment and days later I’m still chuckling at their material. The lowlight was a first timer who was dreadful beyond even what you would expect from someone who had never done it before. I don’t expect a lot from a first gig and can forgive much, but this was appalling. I’m still buggered if I can see how he could have thought there was anything funny in it.

The acts that have impressed me the most this month:

Andrew Bird

An absolutely cracking act who held the room spellbound.

From the night:

Andrew Bird is an absolutely top-notch act whom I don’t see that much of. On Saturday night he was supporting Michael McIntyre in an arena and tonight he was enjoying the intimacy of a small room gig. He began with some instantly relatable comments about the pub he was performing in and these went down a treat with the regulars. This was followed by a number of fairly long routines that just built and built – the sort of routines that whilst you are hoping for more, you just know that the next one will be equally as good. The gig in Bridlington was a gift that just kept giving and the story of the pub and Bird’s last drink was absolutely fantastic. This was a set with a lot of highlights and I came close to hurting myself laughing. Bird can describe a scene better than most people, but he does it very economically with the amount of time and words he uses, managing to get more out of a dozen words than a lot of acts could get out of twice as many. His eye for toppers to lines and that extra bit of detail that sends a joke into the stratosphere is remarkable. This was an absolutely smashing performance.

Ben Briggs (MC)

Whilst people talk about how dark Briggs can go, he doesn’t get enough credit for the intelligence he brings to his performance.

From the night:

Back by popular demand, Briggs made the night a success. He took a small crowd of individuals and formed them into an audience, speaking to everyone in the room whilst doing so. From Rich and co sat at the front, to the group from Coventry come to see Carter, he took in everyone for his sharp comments, including myself who received some fair observations. There was a real feel of a community being formed by Briggs and he didn’t put a foot wrong. Briggs is an edgy comic, but not in a self-conscious way, more in having a natural interest in seeing how far he can push the envelope. However, this is allied to a first class comedic brain and he has the knack of knowing just how far he can go without going too far. Briggs has no lack of bravery either, being happy to take to the floor between the two middle spots to ask the lads at the bar, 30′ away to keep the noise down and to keep at it until they did so – a lot of other comperes would probably not have wished to pursue the matter, or would have made a token attempt and left the lads to it, but Ben saw it through. The audience took Briggs to their hearts and his hard work made it possible for the other comedians to perform as they did.

Jamie Hutchinson

A great act who is on the way up.

From the night:

Next was Hutchinson an act who came on in leaps and bounds last year. He came to the stage with a loud voice and bags of energy. I really enjoy Hutchinson’s delivery; his short and sharp sentences hammer home what he is saying. In addition to this, his performance took in every side of the room, with the audience arrayed around the stage in a horseshoe shape – he played to every angle, leaving no-one left out. The material was sharp, with plenty of unexpected reveals and everything worked like a dream. This was a set that seemed to skate on applause throughout its’ length. I was particularly impressed with Hutchinson getting the name of the local rival city right, as I’ve heard a few unorthodox choices over the years. It was fun looking about the audience as Hutchinson was in the midst of his romantic routine and seeing that everyone was 100% focussed upon him. This was a smashing set.

Jed Salisbury

A skilled up and coming act.

From the night:

Closing the night was Salisbury, a skilled act who living in Hull, probably doesn’t get the recognition or gigs that his ability entitles him to. He began by building some energy, not needing the microphone for this and then he followed with three fast jokes. This was enough to establish his credentials as closer and from here he held the room in a way that seemed effortless. The material was well considered and it had a natural rhythm to it with no odd leaps in logic or topics to interrupt the flow. I especially enjoyed the voodoo curse material and I wouldn’t have objected to hearing more on that as it seemed so unusual to really entice me into it. Salisbury was quick on his feet mentally and when talking about the differences between lads and ladies nights out he spotted three lads helpless with laughter, who had obviously seen something of themselves in this material, and he worked in some fast comments about it. This was a powerful set from someone well worth watching.

Honourable Mentions:

Colin Havey, James Cook, Radu Isac, Rob Mulholland, Roger Monkhouse, Will Mars

The Miners Arms – Will Duggan, Aaron Twitchen, Fran Jenking, James Cook and Jon Pearson (MC)

Tonight I was at The Miners Arms in Sutton, a rather pleasing fifteen minutes from home. This is Jon and Gabby Pearson’s pub and very nice it is, too. The comedy takes place upstairs, well insulated from the noise of the bar and the room is very memorable with chandeliers, (covered) gilt mirror and a full length wall mural. The audience were mixed in age and backgrounds and although everyone laughed at most things, they didn’t seem to all laugh at any one moment, which was odd. On the front row was a chap who couldn’t resist shouting out comments. It was probably his first time at live comedy and despite Jon and every act politely, but cuttingly, closing him down, he proved resilient and bounced back a few minutes later every time. Despite these interruptions, the night was a lot of fun.

Jon Pearson (MC)

As resident compere, barman, ticket seller and landlord, Jon was in the position of knowing most of the audience by name and this was a real benefit to him as he didn’t need to do any heavy lifting to establish his position – it also meant that he didn’t have to grasp for the names of people and this helped things flow. Jon kept it pretty tight in the opening section, concentrating on room work, where he discovered a couple who had met at a petrol station. After the first intermission he gave the room a routine about fashion, rugby and anatomy. This was a good routine and it was well delivered, but it was probably a bit long for using outside of a set. Jon did a good job and the room stayed warm and receptive for the rest of the comedians.

Will Duggan

I’d only seen Duggan once before when he was a panellist on Panelbeaters and there he had impressed me with the cerebral quality of his material. Tonight his set took in, amongst other things, a trip to Dublin, being a hero, his living arrangements and some very pleasing room work. The Dublin routine built up very well and despite the clue possibly being there, I doubt anyone guessed where he was going. This did lead to a shout out from the enthusiastic chap sat on the front row, which Duggan dealt with skilfully by managing to be totally cutting, but saying it in a light hearted way, which ensured that those annoyed by the interruption would love the insults and the man involved couldn’t get annoyed. Duggan’s material was good and his ability to bring the audience into the show was very pleasing. It is easy to see why he was booked. This was a very enjoyable performance.

Aaron Twitchen

Twitchen opened with a good line that received a big laugh and instantly quelled any audience member having to ponder upon his backstory to the detriment of giving his performance their full attention. Twitchen is a very open and engaging person and I think that the room quickly took him to their hearts. They were happy to respond to his comments addressed to individual people, but strangely left him hanging when he asked the entire audience questions a couple of times. There was a good callback to Jon’s compering, some decent material about fitbits, but the best routine concerned ghosting. Twitchen did say ‘right’ a fair few times, but it didn’t get in the way of him delivering an entertaining set.

Fran Jenking

Fran hosts the quiz at this pub and knew a few of the audience members from that, which was a bit of a bonus. He began by telling the room he was from Nottingham, which got a woo and this led into a pleasant bit of material about the Midlands and the East Midlands. There was one unfortunate moment when one woman gave out a big yawn, just due to the time of night, but luckily he was in the zone and carried on without pausing. Fran choosing Derby for some stick was a popular idea that went down well. The bus was probably the standout line from his set, though. Personally, I preferred it when Fran was just bantering with the room. He’s great at just chatting to people and finding something in what they say. This was a good set, but I’d have liked to have seen a bigger ending and I daresay that he had one, but as he was getting close to the time limit he didn’t get chance to close with it.

James Cook

Cook’s set was very well written. He opened with a joke that was clever, but easy for everyone in the room to get and this could be said of all of his routines. They were all well thought out, but not difficult for an audience late at night to follow. His observations about the eccentricities of the room were strong and again, tangible to the audience. These were all delivered in a clear voice that didn’t speak too quickly, nor too slowly. As with pretty much everyone else Cook had to deal with the man on the front row shouting out and he managed to quieten him for a few minutes, before he inevitably bounced back with another comment, which he then put down again. A few minutes later I was surprised when Cook voluntarily spoke to him again, but he managed to extricate himself from that conversation without too much trouble. There was a lot of good material in this set, but my personal favourite was the routine about the school bear. I was very impressed with Cook tying that in to the teacher sat on the front row. This was a very strong set.

NCF Canal House – Harvey Hawkins, Kathryn Mather, Tony Cowards, Adam Beardsmore, Mike Hilton, Colin Havey, James Crawley and Demitris Deech (MC)

Tonight I was in Nottingham at the Canal House for the NCF £1 night. Numbers weren’t bad, although unfortunately we were missing Katie Mitchell on sounds, but Sarah stepped in to assist Helen with the door. The bill was a mix of acts that were new to me, including a chap on his first ever gig, some acts that I haven’t seen much of and really wanted to see more of and experienced acts doing new material, all held together by our compere, Demitris Deech.

Demitris Deech (MC)

Deech made a good first impression with his cheerful demeanour and buoyant energy. He took to the stage and explained his role in proceedings and how the night would work. He is a man with sharp hearing and was able to make out a whisper that came from the fourth row. This was a lady called Red, who worked in CIS and he had a lot of fun in asking her about her job and the most fluid found at a crime scene. This provided great background for the comedians to work into their sets. He had a chat with a few people and kept it light hearted and tight before bringing on the first act. I was surprised that Deech did a fair bit between the first two acts, as I thought that the room didn’t need any extra compering at this point, but this was an unusual one off. For the second and third sessions Deech largely stayed with material and good material it was. He didn’t use anything too time consuming or deep, but kept things happy with his topics. This was enjoyable compering.

Harvey Hawkins

Hawkins is a strong act whom I don’t seem to see a great deal of, so his being on the bill was a bonus. He began with a serious sounding routine and this drew everyone in. The punchline landed with a bang and there was a huge laugh. Even better, though, was that this teed up his next joke very nicely, indeed. This was a set that flowed logically through the various topics. I thought Hawkins’ twist on ‘tell you a bit about me’ was absolutely splendid, even if the first one did perhaps edge a little bit towards being an insider joke and the two related gags were even funnier. There was a tremendous moment when Hawkins worked in a beautiful callback to Red whom Deech had discovered during his compering and Harvey further showed off his mental agility, when without missing a beat, he incorporated someone sneezing loudly into a routine. This was a great performance.

Kathryn Mather

I’d only seen Mather once before at the Kayal and I was impressed with what I saw then, so I was pretty chuffed to have the chance to see more of tonight. Her delivery is very downbeat in style, but this comes across as naturalistic, rather than forced. There was the odd ‘fucking’ included in her sentences, which I didn’t think she needed as it didn’t add any extra force to what she was saying, but on the other hand it didn’t hurt it, either – they were just extra words that she could have used more creatively. The material was well written and it had a fresh feel to it. No one else is doing anything on welding or shipping losses and so this was a welcome change. The topper on putting up shelves was great. The idea of farms and fox hunting probably stretched the premise of that particular routine a little bit far, but that was no big deal. The closing routine, however, was comparatively the weakest of what she had to offer. It was still decent, but I thought it not as powerful as the rest of her material. This was an enjoyable set from an act that I’d like to see more often.

Tony Cowards

We resumed after the intermission with Cowards, who was trying out some new material. Cowards’ moving up here is a real bonus. Not only is a totally smashing chap to know, but I’m getting to see a lot more of him performing. He hit the ground running with some quick gags and then experimented with the new material. It was lovely seeing the young lawyer sat on the front row explaining some of these to his partner. The jokes were of a good quality, however, Basin would work better as a visual gag and possibly the same with Hawaii; verbally they were good, but not really up to what you’d expect from Tony. Jeffery Archer was one that split the room between those who know he is a terrible hack author and those who have been lucky enough not to have ever read one, but I’m damned if I can think of an alternative famously bad author that ticks more demographics. There were a few jokes that didn’t land as well as they should, but these all required a little bit more general knowledge than the others and in front of a different audience there is no reason why they shouldn’t work well. My personal favourite was garden centre, which was gloriously daft. In a nice touch one of the audience members asked Deech to repeat Tony’s name, so it looks like she will be looking out for him in the future.

Adam Beardsmore

I only saw Adam last night, but it was no hardship seeing him two nights in a row. Last night, he opened and as is usual in these circumstances it was a tough slot to fill. Tonight he had a far better night with largely the same material and this was nice to see. The most promising aspect of this performance was that although only 24 hours had passed, Beardsmore had worked on his material and improved it. The Lush bath bomb was great substitution for foam. I was very happy with how Adam chatted to the audience and worked the room into his material. He did well to bring in things that had been said earlier during the night, but I do suspect that there won’t be many people sat on the front row to whom he can address ‘bukkake muffin’ to and mores the shame, as it got a huge laugh.

Mike Hilton

One of the nice things about NCF is that they are always happy to give people a chance to have their first go at comedy and every so often there will be someone doing their first ever set. Tonight it was Mike Hilton who was doing his first and possibly only performance. Everyone has to start somewhere and no one expects a first timer to be as good as Nick Page, but this was pretty catastrophically bad by anyone’s reckoning. I could live with Hilton holding the mic too low (around belly button height) as that’s an easy mistake for someone to make in the adrenalin rush. Similarly, coming to stage with a load of notes in his hands and mixing reading from them with frantically searching for what he had to say next isn’t ideal, but for a first timer, it’s forgivable. The palpable sense that he’s not prepared for the show is less than ideal, though. However, the biggest problem was that his material was terrible. I’m buggered if I can see how even on the most optimistic read through it could be deemed promising. Hilton began with a list of things that piss him off and it was just that. There wasn’t anything intrinsically funny in the list, it was just standard moans that you’d see on a tedious facebook feed, such as having to get up. There wasn’t anything in it to add humour, no clever or not so clever twists – it was just a list of standard gripes. This was followed by a lengthy routine about breeding on an alien planet and I’m pretty sure he accidentally read out the same set of notes two or maybe three times, as he seemed to repeat sections of it, much to the mystification of the audience. I lost track of what he was saying, but then I was struggling to remain focussed on it and I was slightly distracted by Helen, who had come to the front of the stage to flash him off. Hilton got laughter, but this was pretty much incidental to anything he was actually saying and was a mix of nervous laughter and the more unpleasant kind when you are watching a car crash of a set. However, being positive, the best thing about this performance for Hilton is that from here, the only way from is up.

Colin Havey

Performing whilst suffering from a heavy cold must be a bit of a nightmare, but Havey made a good job of it. He opened with a bit of room work and returned to this throughout his set and I wasn’t surprised as he seemed to be particularly on the ball with this and it made me want to see him compere gigs. The material was largely job related and held together well, with a big laugh on ‘dad’. Knob head at work is a great premise and the build up is very amiable, but the pay off could do with strengthening. The order of the works material may benefit from a rethink, as Colin moved from call centre to warehouse and back a few times and perhaps having one occupation dealt with before moving to the other would work that little bit better. The closing routine about the glasses was particularly good and the suit you line a beauty. Despite the cold, Havey’s delivery was sound. There were a few ‘rights’, but I was probably the only person to notice. Interestingly Havey resembled Alfie Moore as whilst he was talking he was performing small lunges as he took a step forwards with one leg and then semi-crouched. This made for an odd visual, but didn’t detract from his performance. I and the rest of the room enjoyed this performance and I’d like to see more of Havey.

James Crawley

Crawley has only been gigging for ten months, but you wouldn’t have guessed that from his set. He opened with some timely material about snow, before moving onto ‘Millennial Monopoly’, which was a very good routine – the chance and community chest cards and parking were superb lines. The pub quiz was a fairly lengthy routine, but the final reveal more than made it worth it. Crawley had a quietly confident presence on stage and his delivery reflected that. My only quibbles with his performance was that his delivery seemed to plateau and there was no sense that he was building to a big finish and indeed, his set didn’t have the big closing routing that it deserved. However, there was a lot to like about what I saw and I’ll be very interested to see where Crawley stands by the end of the year.

Scott Bennett

Last night I saw Andrew Bird and tonight it was Scott Bennett – two comedians who are absolutely top notch and that has made this a really nice week for me. Tonight Scott was polishing new material and it was a pleasure to spot the improvements. As a great bonus there was an expanded section about daycare. Cardigan was a lovely extra line, baby monitor was pacier and daycare gives Bennett a chance for some physical actions on stage and these really brought the set to life. At one point Scott had to pause the set and ask a lady if she was ok, because she was laughing so much. When someone is laughing that hard it is a real tribute to the skill of the act. This was a great ending to the night.

The Admiral Rodney (Wollaton), Adam Beardsmore, Jack Topher, Josh Pugh Graeme Coulam, Spiky Mike, Andrew Bird and Fran Jenking (MC)

Tonight I was in Wollaton for the Funhouse Comedy night at the Admiral Rodney. This is a very nice pub in what feels like a rural setting not too far into Nottingham. It’s quite a small venue, but it’s ideal for acts to run out new material, or to gain a little bit of stage time.

Fran Jenking (MC)

I really enjoy watching Fran compering. He’s a relaxed presence and has that sort of affable charm that means he can just chit chat with people and it’s fun to watch. I unfortunately missed him giving the room a two minute warning before he started the night, though, as I was caught on the hop when he began, but that’s not the end of the world. Tonight he cheerfully chatted away with a few people sat in the room, getting to know them in a way that went a bit deeper than just asking what they did and where they lived. Jenking would follow these questions up and you got a real sense of actually getting to know something of the audience. I was especially happy with his chat with Geoff, as he seemed to get just that bit more humour out of him. Fran kept the night to schedule, did the admin and made sure that the everything went smoothly.

Adam Beardsmore

Opening was Beardsmore, who although still a fairly new act, is shaping up well. However, I do think he perhaps suffered a bit from going on first as the room wasn’t totally with him for everything and this wasn’t due to his material, because I’ve seen it do better at other gigs. His opening joke built up a nice bit of comedic tension whilst everyone wondered where he was taking them and there was a great laugh for the reveal. Beardsmore did well to chat to the audience at the start of a few routines and work the next joke into this, as it tied it all in to the audience. However, the reveal on drinking possibly wasn’t that strong for the time spent on this, but that can be worked on. ‘Verbally’ was a lovely line. I really enjoyed the new routine about £1 dares, although for pacing reasons he may find it lands better if he were to start with the crisp and follow it up with the muffin (there is a chance for a line about a doughnut in there), rather than with the couple of examples prior, because although they are funny I think they may stretch the premise a bit to the detriment of the later and better lines. The closing routine was wonderful and the punchline came as a surprise to the audience. Performance wise, Beardsmore looks confident on stage, he glances around the room and forms a connect with the audience, but if he were to vary his tone of voice a bit here and there it may be beneficial. This was a good set that he can improve further and I see no reason why he won’t progress in comedy.

Jack Topher

The last time I saw Topher he had had a fantastic night and it was obvious that his new slower delivery was paying huge dividends in laughs, so it was no surprise that tonight he has continued to develop it. I’ve seen Topher quite a few times over the last couple of years and it is absolutely marvellous to have watched him go from someone who was nervy as hell before going on stage to being not only rock solid prior, but to have the confidence to throw out asides to the audience about the jokes he has made and about events of the night. The progress he has made so far is heart warming. One of the best aspects of Topher’s writing is that he makes the audience do some work. He’ll deliver a line and then it takes the room a little bit of work to fill in the joke and because they have to do that, it means more to them and the resulting laugh is louder. One improvement I would like to see is him genuflecting on all of the biblical citations as I can imagine that verbal imagery getting a bigger laugh each time, especially if he were to do a quick self-conscious glance around the room each time he did it. There may even be room for a twist on the final one if he were to do a shoulder shrug for it when he goes to genuflect and realises he can’t. I enjoyed this set and it was obvious that Jack had been listening to Fran’s compering as he was able to tie so much of his material into the room and his asides were a real bonus. This was a strong set from Topher.

Graeme Coulam

We resumed after the intermission with Graeme Coulam who left me with more mixed feelings. His set had some good writing in places, such as Ofsted, chlamydia and nice visual elements with the books. However, in other areas it felt like he was following the herd – warnings on products, jokes that feature a list of prominent paedophiles and the line, ‘I’m not boasting’ uttered after something mundane are not really breaking new ground. In similar fashion the joke about buying a rabbit was only ever going to have one ending and would be much stronger if he were to twist it. However, these are all things that can be dealt with easily enough. He delivered his material stood pretty much in the centre of the (small) room, which added more intimacy to what is already a very intimate gig. His voice was quiet and almost subdued, which worked very well with a lot of his lines. Whilst I enjoyed a lot of what Coulam had to offer, I think with more work he will be stronger. The audience enjoyed him more consistently than I did.

Josh Pugh

Next was Josh Pugh, who was polishing some new material and trying a few other bits. He began with an energy building opening that no one was expecting, but which everyone got behind. The Alexa material is something no one else is doing and I think that Pugh is well ahead of the curve on this. It’s also first class material. The newest routine was about an Austrian who should have gone to art school. At the moment this is more of an idea than a routine and I thought it took moral courage for Pugh to let it drop part way through and to move on. He was able to do this without it hurting his momentum as he had already given the room such a good time. The directions routine is another banker. It’s always a pleasure to see Josh performing.

Spiky Mike

Following a cancellation and the replacement pro act who stepped in, being unavoidably unavailable, Spiky Mike did a set. This is the first time I’ve seen Mike do a set and because he doesn’t compere this particular gig, he was able to do a greatest hits compilation of jokes he uses when compering other venues. Although I’d seen him do each joke individually whilst warming up rooms, it was very pleasurable watching him build a set out of them. Each joke in itself is good, being short and punchy and instantly gettable by everyone. His pacing was fast and he built up a lot of impetus with them and even though each gag was on a different topic, he made them all flow together smoothly. This was a nice bonus to the evening.

Andrew Bird

Andrew Bird is an absolutely top-notch act whom I don’t see that much of. On Saturday night he was supporting Michael McIntyre in an arena and tonight he was enjoying the intimacy of a small room gig. He began with some instantly relatable comments about the pub he was performing in and these went down a treat with the regulars. This was followed by a number of fairly long routines that just built and built – the sort of routines that whilst you are hoping for more, you just know that the next one will be equally as good. The gig in Bridlington was a gift that just kept giving and the story of the pub and Bird’s last drink was absolutely fantastic. This was a set with a lot of highlights and I came close to hurting myself laughing. Bird can describe a scene better than most people, but he does it very economically with the amount of time and words he uses, managing to get more out of a dozen words than a lot of acts could get out of twice as many. His eye for toppers to lines and that extra bit of detail that sends a joke into the stratosphere is remarkable. This was an absolutely smashing performance.

The Little Last Laugh – Rob Mulholland, Jed Salisbury, Andy Woolston, Roger Monkhouse and Karen Bayley (MC)

Tonight I was up in Sheffield at the Lescar for the Little Last Laugh. This is a very popular night, with a huge queue of people waiting to get in when the doors opened. I was quite relieved that I had bought my ticket online, as a good number of people were turned away when the room had reached capacity. I think a lot of people had dressed for the March weather and hadn’t considered just how warm it would get in the venue, as a lot of folk were soon taking their jumpers off. The atmosphere was great and the audience were very much up for having a good time.

Karen Bayley (MC)

Compering was Bayley, who a few weeks ago went through to the next round in the Ashby English Comedian of the Year Heat – no mean feat in itself. I missed that gig, owing to work, but did see her on Panelbeaters a while ago. Tonight, though, she opened by discussing her West Midlands accent, which led into a brief section describing the Black Country, which was more geographical than funny. Bayley then got chatting to the audience, discovering who had met on a tinder date and finding one chap who upon the room being asked about veganism, whooped, which led to the inevitable comment that he seemed to have a lot of energy for a vegan. Luckily there was another vegan sat at the front and this fellow turned out to be good value, as he was a bit of a character with convoluted answers for everything. He could have been tricky to deal with, but Bayley dealt with him adeptly, getting a lot of fun out of him, without either letting him ramble on or dominate the night. During the first section, Bayley was pretty sweary, but this dropped off as the night went on and perhaps as she relaxed into the job. A lot of her material was sexual in content and I can imagine Bayley being a good weekend club act. Personally, I found her routine on teaching to be far more interesting. Although Bayley wasn’t really my cup of tea, as a fair bit of what she said didn’t feel like it was breaking any new ground, the room liked her and she held the night together well.

Rob Mulholland

Opening was Popular Comedian Rob Mulholland, an act that is always interesting to see. He began by talking to a tall bloke sat near the front, who by coincidence was the same height as himself (6’7). This led naturally into Rob’s material on being tall, which made for a strong opening routine. The topics covered by Mulholland were a nicely varied bunch with fat shaming being something that I’ve not heard anyone else do much on – it’s lovely when a comedian finds something novel to talk about. There was strong writing in evidence with some very vivid descriptions, such as the midwife’s extra job when he was born, which gave for a particularly arresting image. Mulholland delivered this set energetically and with conviction and this worked very well. I felt that he hit the nail on the head when he used Rotherham for the local rival town. Oddly Rob seemed to say ‘right’ a lot only during two routines: drugs and dirty talk, but hardly said it during the rest of his set. I loved the laugh he received when he earnestly told the room that he was going to apologise for what he was about to tell them. This was a very good set that everyone enjoyed. Mulholland closed by inviting everyone present to sign up to his website (, where they would receive a free hour long copy of his show, which was a nicely generous offer.

Jed Salisbury

You can go a while between seeing an act and then you see them twice in the space of a just over a week. Wednesday last week I saw Salisbury doing a great job of headlining at the Canal House and tonight I was seeing him again, but doing a middle in Sheffield. As before, he opened strongly and generated some energy. I like how he repeats his first joke, as this not only gets a second, knowingly cheeky laugh from it, but it also establishes his authority over the audience. Salisbury has a quick speaking delivery and this helped with some of the longer set ups – there were a few that were slightly wordy for a ten spot and would benefit from perhaps editing down a touch. Not massively, just losing the odd word like ‘corner’ in front of shop and things like that. However, this is a minor point and it didn’t get in the way of Salisbury receiving consistent laughs. This was a strong performance that I’d have liked to have seen more of.

Andy Woolston

In contrast to seeing Salisbury twice in a week or so, it was eighteen months ago when I last saw Woolston. This was at a challenging bank holiday gig that only went ahead because the promoter was bounced into it when they arrived at the venue and didn’t want to let the acts down when it became apparent that it was going to be described as ‘character building’. I’m pleased to say that Woolston has improved since then. He had a better opening and whilst biscuits was ok, last words was a definite standout. Considering that there was a loud vegan sat at the front, Woolston commenting that he had gone down that path could have been entering into a minefield, but instead it proved a real bonus when he managed to ad lib a superb reply to the inevitable shout out that he received. I liked his use of a Liverpudlian accent as it added a lot to that particular joke and the WAGS material was both creative and funny. Woolston ended by addressing another powerful ad lib to the vegan. There were a few lulls in this set where there were gaps between reveals, but Woolston has improved and is going in the right direction. Considering just how good his room work was, I’d like to see more of that.

Roger Monkhouse

Monkhouse gives the audience long, wordy set ups, but this works far better than you’d expect just by reading a description of it owing to his command of the English language and the fun in listening to his verbosity. Within moments of him taking to the stage I think everyone knew that they were in a safe pair of hands. The topic of bald men looking much like other bald men was dealt with creatively and swiftly before Monkhouse moved on with his cerebral set. To me, the stand out moment was when he took a quick straw poll of ages and one bloke at the front made a highly dubious claim to being in his mid twenties. Monkhouse was splendidly flabbergasted by this claim and denounced it in magnificent terms, using words such as preposterous, delusional and blatantly middle aged. To see him come out with such a string of hilarious adjectives off the cuff like that was amazing to experience. This was a great closing performance to what was a lovely night.

NCF, Canal House: Dan Tiernan, Rich Austin, Josh Pugh, Laura Patch, Adam Elmi, James Hately, Jed Salisbury and Ben Shannon (MC)

Tonight I was at the Canal House for the NCF £1 night, an absolutely cracking gig. This was another packed out show with a good mix of ages amongst the audience. Owing to acts needing to catch trains at certain times, the running order was altered to take this into account and that made for an interesting mix.

Ben Shannon (MC)

Shannon has a few attributes that assist him in compering a room: he’s a likeable chap and his material is simultaneously unusual enough to be arresting, but (with brief explanation) tangible enough for a room to get on board with. At the moment, though, his room work isn’t on a par with his material. There were a few too many occasions where he would chat to someone or go down a train of thought and then either get distracted or abandon this without reaching a conclusion and he’d leave it hanging and move on. With more experience he’ll become more adept at working the room and bringing people into the night. In fairness, Ben got stronger as the night went on, partly because he went with more material (if he could work up a couple of loaded questions that led into his material, it would go down a treat), but also because he seemed to relax into the role, too. To his credit, Shannon wasn’t afraid to tackle people who were talking and he was effective in keeping the chatter down. He also did the rules, plugged the next night and held things together, keeping the night on schedule. Given his affability and material, if Shannon can build on his audience work he will become a much stronger compere.

Dan Tiernan

Opening was Dan Tiernan, someone whom I regard as a very promising act. He has a forceful delivery that makes a definite and positive impression on an audience and as his material is very personal it carries a lot of authenticity. This isn’t a set where people can guess what is coming next, they are surprised by the reveals and they work very well. I really enjoyed how he built the set ups to a high level before dropping out the punchlines. This was a very good performance from someone who is building a nice reputation.

Rich Austin

Next was Rich Austin, whom I last saw at Bluey’s. His slower and dry delivery made for a contrast to Tiernan and he opened with some local based jokes (nice to see acts do their research, although there’s no comedic need to confess to the hows and whys of this, as that time can be used for material) which led into some Bon Jovi puns. These might have gone a pun too far, though, clever as they were. The callback to Anakin was nicely played and went down well. There was a large routine based around the cultural appropriation of names and this was very nice. The Kendo Nagasaki, Big Daddy and Lester Piggott references were perhaps more for the over 30s in the room, but this didn’t seem to make any difference as everything was explained without too much exposition. The closing, guitar based, routine was very good and formed a solid closing number to what had been a very enjoyable and improved set.

Josh Pugh

We resumed after the intermission with Josh Pugh trying out some new material. Pugh is a great act who writes some wonderfully offbeat material and so this was a joy to watch. His comments about Alexa were bang up to date and hit home hard. Winded had promise, but Judging is already something of a gem and directions was superb, but last words and the Dalai Lama possibly need more work. Pugh’s delivery was smooth and compelling and his set seemed to go by in a flash.

Laura Patch

Next was Patch, who was on her second gig. On the positive side, I found her quite engaging and bubbly, but on the negative side, her material concerned alcoholism, death and medical worries. Over five minutes this was a triple whammy that would have depressed all but the most cheerful of people and it did prove to be something of a mood killer. She could have gotten away with material on one or perhaps two of these topics, without hurting the atmosphere, but all three was just too much over too short a time without anything in it to lighten the mood and at times it did come close to sounding like speaking therapy rather than comedy.

Adam Elmi

Elmi was trying out new material, some of which was based on actual events at a gig he played at not too long ago. The energetic Elmi began by making some throwaway disparaging comments about Nottingham, which he didn’t really seem to do enough with to really make it worth his while – I think that if you start a gig that way, there has to be enough in it to either make your point, or be intrinsically funny and so this might have been better if not done, as it felt a bit disposable. Elmi is an original thinker and I believe that he could have the makings of a good comedian with this. His material and viewpoints feel refreshingly different and with more experience and perhaps quality control with his writing he will do well. He had some very interesting perspectives behind what he was talking about and if he could tighten up his writing it would be all to the good. This was new material, but I like the way Elmi thinks. I’ll be interested in seeing how he develops.

James Hately

We began the final section with Hately, who opened with a surreal joke that was a bit of a groaner, but which did establish his persona. This was then followed by a bit of exposition about his nose and then a joke about his name which demonstrated the law of stretching something out for too long. I enjoyed the callback to Shannon’s ham based material and thought it to Hately’s credit that he could change his routine to accommodate it. This was a surreal set and the meat of his material concerned beards and birds and wasn’t that easy to buy into. I certainly found that it didn’t really draw me in. If you couldn’t get on board with the premise of keeping beards that have been shaven off, then it was quite a long road to go down. The closing routine, a character act, was to me, a dead loss, as it seemed a lot of trouble for very little in the way of comedy. Hately delivered his set seemingly without pausing for breath and this helped him to build impetus. Although Hately wasn’t for me and I think he did slightly split the room, he still received laughs and I’d watch him again to see which direction he goes in.

Jed Salisbury

Closing the night was Salisbury, a skilled act who living in Hull, probably doesn’t get the recognition or gigs that his ability entitles him to. He began by building some energy, not needing the microphone for this and then he followed with three fast jokes. This was enough to establish his credentials as closer and from here he held the room in a way that seemed effortless. The material was well considered and it had a natural rhythm to it with no odd leaps in logic or topics to interrupt the flow. I especially enjoyed the voodoo curse material and I wouldn’t have objected to hearing more on that as it seemed so unusual to really entice me into it. Salisbury was quick on his feet mentally and when talking about the differences between lads and ladies nights out he spotted three lads helpless with laughter, who had obviously seen something of themselves in this material, and he worked in some fast comments about it. This was a powerful set from someone well worth watching.